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Ken Baltin*

Ken Baltin*

Ken Baltin*

In the 2012-13 theatre season Ken appeared in the premier production of THE SCREENWRITER’S DAUGHTER (Vineyard Playhouse), THE KITE RUNNER (New Repertory Theatre), THE SUSSMAN VARIATIONS (Boston Playwrights Theatre), and OPERATON EPSILON (Nora Theatre Co.). Recent local credits include THE FEVER CHART and THE LOUDEST VOICE (Underground Railway Theatre Co.), CYMBELINE (Actors Shakespeare Project), THE CHERRY ORCHARD (Nora), LAST OF THE RED HOT LOVERS (Gloucester Stage Company), EURYDICE (New Rep), COPENHAGEN (Vineyard Plyhse.), ARMS AND THE MAN (Lyric Stage Company of Boston), and DEPORTED—A DREAM PLAY, KING OF THE JEWS, PERMANENT WHOLE LIFE, and HAYMARKET at BPT. Past Boston area credits include BROOKLYN BOY (SpeakEasy Stage) WAITING FOR GODOT, SCAPIN, THE WAVERLY GALLERY, TWELFTH NIGHT, and AMERICAN BUFFALO (New Rep); GLENGARRY GLEN ROSS, LOST IN YONKERS, LAUGHTER ON THE TWENTY-THIRD FLOOR, and SHAKESPEARE IN HOLLYWOOD (Lyric Stage); ART, OVER THE TAVERN, PICASSO AT THE LAPINE AGILE, SPEED-THE-PLOW, OLEANNA, THE ILLUSION, FOUNDER OF THE FEAST, and A CHRISTMAS CAROL (Merrimack Repertory Theatre); THE LAST HURRAH (Huntington Theatre Company); THE LAST NIGHT OF BALLYHOO, BEAU JEST, SOCIAL SECURITY, YOM KIPPUR AT DANANG and I OUGHT TO BE IN PICTURES (Jewish Theatre of New England); THREE HOTELS (Gloucester Stage) and others. Aside from performing, Ken is on the acting faculty at The Boston Conservatory.
Israeli Stage: The Whore from Ohio, Freud’s Women and A Case Named Freud

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